High Noon

Directed by Fred Zinnemann
Starring Garry Cooper, Grace Kelly
1952

High Noon (1952) is possibly the all-time best Western film ever made - a successful box-office production by Stanley Kramer and director Fred Zinnemann (who also directed From Here to Eternity (1953) and A Man For All Seasons (1966)). The Western genre was employed to tell an uncharacteristic social problem tale about civic responsibility, without much of the typical frontier violence, panoramic landscapes, or tribes of marauding Indians. This is also a movie that can be taken down from the DVD racks and played again and again. Gary Cooper fans will find this to be one of the best, if not THE best, Cooper performance. This is a perfect presentation for black and white. Color would have diminished the sense of impending death that builds relentlessly with each coward's refusal to help Marshal Kane. The film emphasizes that triumph often comes with a price. In the end, Kane removes his lawman's badge and throws it down into the dust, and he rides off with his Quaker bride who must forever live with the fact that she took a human life in violation of her religious convictions. Courage and valor do not come easily.

The dramatic, tightly-compressed, austere black and white film with high-contrast images was shot in a spare 31 days, and the physically-pained, ravaged look etched on 51 year old Gary Cooper's gaunt face was due to actual illness (a recurring hip problem, bleeding stomach ulcers, and lower back pain), and emotional stress due to his recent breakup with actress Patricia Neal after a three-year, well-publicized affair while separated from his wife. The time span of the film (about 105 minutes) approximates the actual screen length of the film - 85 minutes - accentuated by frequent images of the clock as time rapidly dissipates before the final showdown. Cameraman Floyd Crosby's years of filming New Deal documentaries is evident in the film's sparseness, static compositions, and authentic feel.

This is the story of a man who was too proud to run.